Recently, I visited the SF Museum of Modern Art to see the William Kentridge show, Five Themes before it closed. I discovered his work at the Carnegie International show in 1999 when his piece, Stereoscope caught my attention; I’ve been a fan ever since. The show beautifully represented the breadth of Mr. Kentridge’s work. I could’ve spent a weekend just in that exhibit alone:
Upon further exploration, this piece by Mario Merz caught my eye too:
The Lens of Rotterdam
What was so great about this piece wasn’t just its scale, but its elegant simplicity— glass plates clamped to a minimal steel frame, sheltering or focusing over rough hewn stones.
After a few weeks of creative stagnation, exploring the museum was just the spark I needed to shift my brain back into focus. After a wander among the exhibits, even the textures of the walls excited me:
The effect in the last two photos above was achieved by painting the pattern with varying levels of gloss and matte finish. A cool effect to remember once I’ve found a home to purchse…